中文簡(jiǎn)介：
* 慶祝聯(lián)合藝術(shù) 25 周年 * 荷蘭嵿尖藝術(shù)二人組 Atelier Les Deux Garçons 的作品概覽 * 動(dòng)物標(biāo)本剝制術(shù)、藝術(shù)和發(fā)現(xiàn)的物品的有趣組合 * 荷蘭博物館界三位嵿尖策展人的文章 Atelier Les Deux Garçons是 Michel Vanderheijden van Tinteren 和 Roel Moonen 的藝術(shù)合資企業(yè)。在這本書中，他們慶祝了 25 周年的共同創(chuàng)作。他們的作品融合了動(dòng)物標(biāo)本剝制術(shù)、青銅器和工藝品藝術(shù)；結(jié)果是令人著迷又令人困惑的拼貼畫。他們的雕塑反映了我們這個(gè)時(shí)代的動(dòng)蕩、人類與動(dòng)物之間的斗爭(zhēng)、美與對(duì)抗之間的二元性。本書通過荷蘭嵿尖藝術(shù)策展人的三篇文章，向我們展示了“Les Deux”作品中反復(fù)出現(xiàn)的主題、他們藝術(shù)的緊迫性以及他們實(shí)踐的藝術(shù)演變。書中的作品均由藝術(shù)家本人精心挑選。這部作品還遠(yuǎn)未完成，因?yàn)椤禠es Deux》仍然充滿了青春的活力和藝術(shù)動(dòng)力。 “他們的作品批評(píng)了人類對(duì)動(dòng)物和自然的漠視，讓我們面對(duì)現(xiàn)實(shí)吧。但更精彩的是：他們狡猾地眨了眨眼睛，傳達(dá)了這些真理。” \\- 埃德溫·貝克爾，梵高博物館。 “該方法涉及將無機(jī)物（例如瓷器或其他無生命的材料）與有機(jī)物（動(dòng)物標(biāo)本剝制術(shù)）結(jié)合起來，創(chuàng)造出既引人注目又令人不安的并置。” \\- Dick van Broekhuizen，Beelden Aan Zee 博物館。 “我相信，你是否覺得他們的作品令人恐懼或美麗——或者兩者兼而有之——取決于你在遇到它們時(shí)對(duì)生活的看法” 。 - Madelief Hohé，海牙藝術(shù)博物館
原文簡(jiǎn)介：
* Celebrating 25 years of joint artistry\n * Overview of the work of leading Dutch art duo Atelier Les Deux Garçons\n * An intriguing mix of taxidermy, art, and found objects\n * With essays by three leading curators in the Dutch museum scene\n\n \n\nAtelier Les Deux Garçons is the artistic joint venture of Michel Vanderheijden\nvan Tinteren and Roel Moonen. In this book, they celebrate 25 years of\ncreating together. Their work is a mixture of taxidermy, bronze and objet\ntrouvé; the results are collages that both enchant and bewilder. Their\nsculptures mirror the turbulence of our time, the struggle between humans and\nanimals, the duality between beauty and confrontation. With three essays by\nleading Dutch art curators, this book shows us the themes that reoccur in the\nwork of \'Les Deux \', the urgency of their art, and the artistic evolution of\ntheir practice. The works in the book have been carefully selected by the\nartists themselves. An oeuvre which is far from finished, as \'Les Deux \' still\nabound with youthful energy and artistic drive.\n\n\"Their works critique humanity \'s disregard for animals, nature, and let \'s\nface it, each other. But here \'s the kicker: they deliver these truths with a\nsly wink.\" \\\\- Edwin Becker, Van Gogh Museum.\n\n\"The method involves combining the inorganic (e.g., porcelain or other\nlifeless materials) with the organic (taxidermy), creating juxtapositions that\nare at once striking and unsettling.\" \\\\- Dick van Broekhuizen, Museum Beelden\nAan Zee.\n\n\"Whether you find their work terrifying or beautiful—or a combination of\nboth—depends, I believe, on your perspective on life at the moment you\nencounter it\". - Madelief Hohé, Kunstmuseum The Hague\n\n
